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poems

“It...whatever it is, has swallowed me and I lie here in the pit of its cold dark stomach being eaten alive by its bile and I...I don t even know if I want to be saved.”

— Kellie Elmore, Jagged Little Pieces, Share via Whatsapp

“Gardens are poems Where you stroll with your hands in your pockets. (Les jardins sont des poemes Ou l on se promene les mains dans les poches.)”

— Pierre Albert-Birot, The Cubist Poets in Paris: An Anthology, Share via Whatsapp

“We are not what we might be; what we are / Outlaws all extrapolation / Beyond the interval of now and here: / White whales are gone with the white ocean.”

— Sylvia Plath, Share via Whatsapp

“Le cancre Il dit non avec la tête Mais il dit oui avec le coeur Il dit oui à ce qu il aime Il dit non au professeur Il est debout On le questionne Et tous les problèmes sont posés Soudain le fou rire le prend Et il efface tout Les chiffres et les mots Les dates et les noms Les phrases et les pièges Et malgré les menaces du maître Sous les huées des enfants prodiges Avec des craies de toutes les couleurs Sur le tableau noir du malheur Il dessine le visage du bonheur”

— Jacques Prévert, Paroles, Share via Whatsapp

“No map to help us find the tranquil flat lands, clearings calm, fields without mean fences. Rolling down the other side of life our compass is the sureness of ourselves. Time may make us rugged, ragged round the edges, but know and understand that love is still the safest place to land.”

— Rod McKuen, Share via Whatsapp

“[L]ife is a phenomenon in need of criticism, for we are, as fallen creatures, in permanent danger of worshipping false gods, of failing to understand ourselves and misinterpreting the behaviour of others, of growing unproductively anxious or desirous, and of losing ourselves to vanity and error. Surreptitiously and beguilingly, then, with humour or gravity, works of art--novels, poems, plays, paintings or films--can function as vehicles to explain our condition to us. They may act as guides to a truer, more judicious, more intelligent understanding of the world.”

— Alain de Botton, Status Anxiety, Share via Whatsapp

“...you fantasize about me reading my poems to you - it doesn t work that way - I write down everything later - living is not an after-thought...”

— John Geddes, A Familiar Rain, Share via Whatsapp

“Chúng ta đã nhiều lần chết đi dù vẫn đang tồn tại giữa bao người khi nhìn thấy nhau nhưng không cách nào bước tới khi lướt qua nhau và nghe rõ nhịp tim của người kia đau nhói khi rời xa nhau mà ngay cả ánh mắt cũng không bước đi nổi xót xa nào hơn…”

— Nguyễn Phong Việt, Share via Whatsapp

“هذا صباحُ جميلْ الشمسُ ضاحكةٌ، كفسْتانِ أنْثى. وثمةَ مُوسيقى تنزلُ السّلالمْ. وعند الكُشُكْ.. صحُفٌ، ومجلاّتٌ، وهاتفُ عُمْلَةْ.”

— علي منصور, ثمة موسيقى تنزل السلالم, Share via Whatsapp

“Robert Frost didn’t like to explain his poems—and for good reason: to explain a poem is to suck the air from its lungs. This does not mean, however, that poets shouldn’t talk about their poetry, or that one shouldn’t ask questions about it. Rather, it suggests that any discussion of poetry should celebrate its ultimate ineffability and in so doing lead one to further inquiry. I think of that wonderful scene from Elie Wiesel’s memoir, Night, where Mosche the Beadle of the local synagogue, in dialogue with the young, precocious author, explains: “Every question possesses a power that does not lie in the answer.”

— Tony Leuzzi, Passwords Primeval: 20 American Poets in their Own Words, Share via Whatsapp

“They are both spectacular, Life and death.”

— Dejan Stojanovic, The Shape, Share via Whatsapp

“When I Read the Book When I read the book, the biography famous, And is this then (said I) what the author calls a man s life? And so will some one when I am dead and gone write my life? (As if any man really knew aught of my life, Why even I myself I often think know little or nothing of my real life, Only a few hints, a few diffused faint clews and indirections I seek for my own use to trace out here.)”

— Walt Whitman, Leaves of Grass, Share via Whatsapp

“[poems are] crystals deposited after the effervescent contact of the spirit with reality. (cristaux deposes apres l effervescent contact de l esprit avec la realite)”

— Pierre Reverdy, The Cubist Poets in Paris: An Anthology, Share via Whatsapp

“Horse [Man you will find here a new representation of the universe at its most poetic and most modern Man man man man man man Give yourself up to this art where the sublime does not exclude charm and brilliancy does not blur the nuance it is now or never the moment to be sensitive to poetry for it dominates all dreadfully Guillaume Apollinaire]”

— Guillaume Apollinaire, Calligrammes: Poems of Peace and War, Share via Whatsapp

“I have been so very, very fortunate in my life. I ve met or been in contact with several of my childhood heroes. I ve interacted with people all over this planet, and even though I couldn t possibly hope to remember all their names, I remember a photograph, a poem, a sound, a joke, kind words of encouragement. All is not lost.”

— Wayne Gerard Trotman, Share via Whatsapp

“Love leads us to write poetry because love improves our hearing; like prayer, poetry is every bit as much about listening as it is about speaking. To get the poem is to hear the eloquence of the silence that it calls forth through its manifestation of love.”

— David Patterson, Share via Whatsapp

“I will forever walk alone in a world overflowing with those that will never understand my meaning of “Learning to See” I’m always teaching myself to see beauty in all aspects of reality, yearning to learn the beauty in others, from their vision of everyday life to their deepest secrets of their dreams. As the sun rises I must smile, smile for those with the beautiful mind and soul. I’m so passionate for the visions I see, and the dreams I wish the world could be.”

— Michael Jones, Share via Whatsapp