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“Yes, I was good at reading people. I studied them so I could put them in my novels.”

— Jennifer Echols, Love Story, Share via Whatsapp

“The world does not need more Christian literature. What it needs is more Christians writing good literature.”

— C.S. Lewis, Share via Whatsapp

“Children s reading and children s thinking are the rock-bottom base upon which this country will rise. Or not rise. In these days of tension and confusion, writers are beginning to realize that books for children have a greater potential for good or evil than any other form of literature on earth.”

— Theodore Geisel, Share via Whatsapp

“In my experience, writers tend to be really good at the inside of their own heads and imaginary people, and a lot less good at the stuff going on outside, which means that quite often if you flirt with us we will completely fail to notice, leaving everybody involved slightly uncomfortable and more than slightly unlaid. So I would suggest that any attempted seduction of a writer would probably go a great deal easier for all parties if you sent them a cheerful note saying YOU ARE INVITED TO A SEDUCTION: Please come to dinner on Friday Night, Wear the kind of clothes you would like to be seduced in. And alcohol may help, too. Or kissing. Many writers figure out that they re being seduced or flirted with if someone is actually kissing them.”

— Neil Gaiman, Share via Whatsapp

“Writers perform an extremely important role: they make others dream, those who are unable to dream for themselves. And everyone needs to dream. Could there be any more important job in life than that?”

— Félix J. Palma, The Map of the Sky, Share via Whatsapp

“As writers we live life twice, like a cow that eats its food once and then regurgitates it to chew and digest it again. We have a second chance at biting into our experience and examining it. ...This is our life and it s not going to last forever. There isn t time to talk about someday writing that short story or poem or novel. Slow down now, touch what is around you, and out of care and compassion for each moment and detail, put pen to paper and begin to write.”

— Natalie Goldberg, Share via Whatsapp

“There was, in my view, an unwritten contract with the reader that the writer must honour. No single element of an imagined world or any of its characters should be allowed to dissolve on an authorial whim. The invented had to be as solid and as self-consistent as the actual. This was a contract founded on mutual trust.”

— Ian McEwan, Sweet Tooth, Share via Whatsapp

“Because the chief commodity a writer has to sell is his courage. And if he has none, he is more than a coward. He is a sellout and a fink and a heretic, because writing is a holy chore.”

— Harlan Ellison, Dangerous Visions, Share via Whatsapp

“Being goal-oriented instead of self-oriented is crucial. I know so many people who want to be writers. But let me tell you, they really don t want to be writers. They want to have been writers. They wish they had a book in print. They don t want to go through the work of getting the damn book out. There is a huge difference.”

— James Michener, Share via Whatsapp

“We writers are resilient souls.”

— Lauren DeStefano, Wither, Share via Whatsapp

“Your page stands against you and says to you that you are a thief.”

— Martial, Epigrams, Share via Whatsapp

“human beings do not perceive things whole; we are not gods but wounded creatures, cracked lenses, capable only of fractured perceptions”

— Salman Rushdie, Imaginary Homelands: Essays and Criticism 1981-1991, Share via Whatsapp

“The biggest spur to my interest in art came when I played van Gogh in the biographical film Lust For Life. The role affected me deeply. I was haunted by this talented genius who took his own life, thinking he was a failure. How terrible to paint pictures and feel that no one wants them. How awful it would be to write music that no one wants to hear. Books that no one wants to read. And how would you like to be an actor with no part to play, and no audience to watch you. Poor Vincent—he wrestled with his soul in the wheat field of Auvers-sur-Oise, stacks of his unsold paintings collecting dust in his brother s house. It was all too much for him, and he pulled the trigger and ended it all. My heart ached for van Gogh the afternoon that I played that scene. As I write this, I look up at a poster of his Irises —a poster from the Getty Museum. It s a beautiful piece of art with one white iris sticking up among a field of blue ones. They paid a fortune for it, reportedly $53 million. And poor Vincent, in his lifetime, sold only one painting for 400 francs or $80 dollars today. This is what stimulated my interest in buying works of art from living artists. I want them to know while they are alive that I enjoy their paintings hanging on my walls, or their sculptures decorating my garden”

— Kirk Douglas, Climbing The Mountain: My Search For Meaning, Share via Whatsapp

“Writers often torture themselves trying to get the words right. Sometimes you must lower your expectations and just finish it.”

— Don Roff, Share via Whatsapp

“I have one word to say upon the subject of profound writers, who are grown very numerous of late; and I know very well the judicious world is resolved to list me in that number. I conceive therefore, as to the business of being profound, that it is with writers as with wells; a person with good eyes may see to the bottom of the deepest, provided any water be there; and often, when there is nothing in the world at the bottom, besides dryness and dirt, though it be but a yard and half under ground, it shall pass however for wondrous deep, upon no wiser a reason than because it is wondrous dark.”

— Jonathan Swift, A Tale of a Tub, Share via Whatsapp

“Think of Shakespeare and Melville and you think of thunder, lightning, wind. They all knew the joy of creating in large or small forms, on unlimited or restricted canvases. These are the children of the gods.”

— Ray Bradbury, Zen in the Art of Writing, Share via Whatsapp

“The purpose of a writer is to keep civilisation from destroying itself. (Interview, New York Post Magazine, September 14, 1958)”

— Bernard Malamud, Share via Whatsapp